Antistructure Excursion

** Liminality and Rites of Passage
** Carnival and Communitas
** Playful Pilgrimage Center
** The Role of Rebellion
** Rebel With a Cause

Art of the Show Excursion

** It's All an Illusion
*** Illusions Within Illusions
*** Audience Participation in the Illusion
*** Intermixing Illusion and Reality
*** Return of the Excluded Middle—Mini-Excursion Into Transitional Space

** “C” ing How Disney Does It
** Care and Cleanliness

** Disney’s Complementarity Principle
*** Grow With the Flow
*** Safe Enough to Play
*** The Architecture of Reassurance

** Color
** Cinematic Nature
*** Imagineers
*** Illustrated Images
**** A Tale of Two Coasters
**** Narrative Nature
**** Movement Through Space
**** It's All Show Business Folks
**** The Importance of Animation

** The Role of Control

The Cherishing of Childhood Excursion

** Neoteny—Cosmological Calling to Childhood
** The Roots and History of Neoteny
** The Face of Neoteny

The Looking-Back Looking-Forward Excursion

** Paradise

** Nostalgia
*** Disneyland’s Design—A Rose-Colored Backwards Glance Into Childhood
*** Mini-Excursion— History of Nostalgia
*** You Can’t Go Home Again
*** Nostalgia Plays With the Past

** Back to the Future—The Utopia connection
*** Utopian Associations
*** The “Word” on Utopia
*** Other Utopian Features
*** Back to the Future—Maybe It's Both at the Same Time

Child of the Times Excursion

** Reflection of the Times

** Like Father Like Child
*** Culturally Criticized
*** Disney and the American Dream
*** Baby Boomer
*** I Think He’s Got It!—Magical Mediators
**** A Bit of Background on Binaries
**** Bringing in Bricolage and Play
**** Mr. Mediator
**** Land of Dreams

** Disneyland and Television—The TV Show That Was Also a Themepark
*** Christmas Special
*** The Deal of the Century
*** Interplay Between Television and Disneyland—The TV Series and the Park
*** Windows Onto the World and the Future

** California Kid
*** Answer to LA
*** A Different World

Disneyland's Amusing Ancestry Excursion

** Historical Precedents of Disneyland

** Open Spaces as Entertaining Places—Pleasure Parks

** Take Me to the Fair
*** Amusement Parks
*** Coney Island’s Influence

** More Immediate Influences on Disney
*** Los Angeles Streetscapes
*** Take Me to the Fair Redux
*** Research Field Trips

Preface to Mary Poppins

Astrological Aspects in Mary Poppins

** Reiteration of Starring Planetary Players
** Featured Planetary Archetypal Complexes
** Archetypal Aspects at Play in the Movie
** Cultural Correspondences in the 1960s
** Depth Psychology’s Archetypal Agreement

Rebellious 60’s Retrospective—The Startling Sixties, A Dynamic Decade

** You Say You Want a Revolution
*** Taking It to the Streets—A Very Violent Time
*** Civil Rights and Wrongs

** Science and Technology Take Off
*** Space— The Final Frontier
*** Meet the Man Behind the Other Mouse
****Doug’s Dream
****Doug’s Daring Demonstration
*** Innovations, Discoveries, and New Views Illustrated 

** That’s Entertainment?! –From Baring It All on Broadway to What TV Showed
*** Broadway Au Natural
*** The Silver Screen—Sexier and Shadowier
*** Television’s Tamer Fare 

** Disney Does It All

** Moving Music
*** Many Modes of Expression
*** Rock and Roll Reigns Supreme 

** Sex, Drugs…

** Fads and Fashions From Funky to Just Plain Fun

Sceneplay for Mary Poppins

** Behind the Scenes
*** The History of Mary Poppins
*** The Disney Magic
*** Meeting Bert

** Archetypal Overview
*** Take One
*** Take Two—Another View

** Ongoing Themes Excursions

*** Neoteny Excursion
**** Tale of Two Strategies
**** Mary Poppins’s Strategic Moves
**** Beware of Banking Education

*** Excursion into Liminality
**** Here We Go Again—Liminality Reiterated
**** Communitas—The Power of Connection
**** Turner’s Topic Mirrors the Turbulent Times
**** Liminality Plays Throughout Mary Poppins
**** The Creative Power of Chaotic Times

*** A Trickster Tour
**** Tricksters in a Nutshell
**** A Bit of Background on the Trickster
**** Mary Poppins—Disney’s Most Spectacular "Trickstar"
**** Bert as Hermes

*** The Tricks of the Trade—Excursion into Mary’s Nonordinary Magic
**** Welcome to Trance—The Nonordinary State
**** Welcome to My World—Rapport and Pacing
**** The Power of Confusion
**** Meandering Messages—Indirect Suggestion
**** Presto Chango—Changing Meaning Through Reframing

*** Laughter Excursion
****Historical Perspectives
**** A Special Kind of Laughter
**** Laughter’s Liberatory Perspective
****Laughter and Creativity

** Scene-By-Scene-Play of Mary Poppins

*** Mysterious Beginnings
**** Opening Credits
**** Cherry Tree Lane

*** Meeting the Bankses
**** “Sister Suffragette”
**** “The Life I Lead”
**** Dysfunctional Dynamics

*** New Nanny Needed
****"A British Nanny"
****"The Perfect Nanny"
***Meeting Mary Poppins
**** Mary Poppins Arrives
**** “A Spoonful of Sugar"

*** Adventure Into Art
**** Time for an Outing
**** “Jolly Holiday”
**** Time for Tea
**** "Supercalifragilisticexpialidocious"

*** Back at Home
**** “Stay Awake”
**** A Cheerful Breakfast

*** A Change of Plans
**** “I Love to Laugh”
**** Excursion into Joking Matters
***** It’s Catchy
*****Enlightening Benefits
***** Jokes Abound

*** Sowing the Seeds of Chaos
**** A Few Words with Mary Poppins
**** “Feed the Birds”
***** Background of Song
***** Inner Pilgrimage

*** Let the Bifurcations Begin
**** “Fidelity Fiduciary Bank "
**** The Chaotic Power of Tuppence

*** Chaotic Interlude
**** Bert to the Rescue
**** “Chim Chim Cher-ee”
**** The Rooftops of London
****A Bit About Black
**** “Step in Time”

*** George Gets It
**** A Call From the Bank
**** Mr. Banks is Discharged

*** Happy Endings
**** “Lets Go Fly a Kite”
**** Mary Poppins Departs
**** Closing Credits

Mary Poppins’s Ludic Lessons

CHAPTER 9: PARTING SHOTS

Parting Shots Play by Play
Limitations and Difficulties
Future Study
Wrapping It Up