Levy, J. (1978). Play behavior. Santa Barbara, CA: John Wiley & Sons.
Lewin, R. (1992). Life at the edge of chaos complexity. New York: MacMillan.
Lewis, R. (1996). Absolut book: The Absolut vodka advertising story. Boston, MA: Journey Editions.
Lieberman, J.N. (1977). Playfulness: Its relationship to imagination and creativity. New York: Academic Press.
Lipton, B. H. (2005). The biology of belief: Unleashing the power of consciousness, matter, and miracles. Santa Rosa, CA: Elite Books.
Lisberger, S. (1982). (Director). Tron [Motion Picture]. United States: Walt Disney Pictures.
Llosa, L. (Director). (1997). Anaconda [Motion Picture]. United States: Columbia Pictures.
Lockhart, R. (1983). Words as Eggs. Dallas TX: Spring.
Loewenberg, P. (2001). Freud as a cultural subversive. In J.A. Winer & J.W. Anderson (Eds.), Sigmund Freud and his impact on the modern world (pp. 117-130). Hillsdale, NJ: The Analytic Press.
Logan, J. (Director). (1958). South pacific [Motion Picture]. United States: Twentieth Century Fox,
Lopate, P. (1994). The art of the personal essay: An anthology from the classical era to the present. New York: Anchor Books.
Lopez, B. (1990). Giving birth to thunder, sleeping with his daughter: Coyote builds North America. New York: Avon Books.
Lopez-Pedraza, R. (1977). Hermes and his children. Irving TX: Spring.
Lorenz, H. & Watkins, M. (2002a). PART I: Silenced knowings, forgotten springs: Paths to healing in the wake of colonialism. Retrieved January 15, 2004 from http://www.mythinglinks.org/LorenzWatkins2A.html
Lorenz, H. & Watkins, M. (2002b). PART II: Silenced knowings, forgotten springs: Paths to healing in the wake of colonialism http://www.mythinglinks.org/LorenzWatkins2B.html
Lorenz, H. & Watkins, M. (2002c). Individuation, seeing-through, and liberation: Depth psychology and colonialism. Retrieved January 15, 2004 from http://www.mythinglinks.org/LorenzWatkins.html
Lorenz, H. S. & Watkins, M. (2000). Individuation, seeing-through, and liberation: Depth psychology and colonialism. Unpublished paper. Pacifica Graduate Institute. Carpinteria, CA.
Lorenz, H. S. (2000a). Introduction to depth psychology [Lectures, Fall Quarter 2000]. Carpinteria, CA: Pacifica Graduate Institute.
Lorenz, H. S. (2000b). The presence of absence: Mapping post-colonial spaces. In L. Corbett & D. Slattery (Eds.), Depth psychology: Meditations from the field (pp. 225-243). Einsiedlen: Daimon.
Lorenz, K. (1976). Psychology and phylogeny. In J. S. Bruner, A. Jolly & K. Sylva (Eds.), Play-its role in development and evolution (pp. 84-95). New York: Basic Books.
Lowenthal, D. (1985). The past is a foreign country. New York: Cambridge University Press.
Lowenthal, D. (1989). Nostalgia tells it like it wasn’t. In C. Shaw & M. Chase (Eds.), The imagined past: history and nostalgia (pp. 18-32). New York: Manchester University Press.
Lucas, G. (Director). (1977.) Star wars [Motion Picture]. United States: Twentieth Century Fox.
Lunsford, A. (2000). Toward a mestiza rhetoric: Gloria Anzaldúa on composition, postcoloniality, and the spiritual. [Interview: 1996]. In A. Keating (Ed.), Interviews/entrevistas/Gloria E. Anzaldúa. (pp. 251-280). New York: Routledge.
MacAloon, J. (1987). Games. In Encyclopedia of religion (Vol. 5, pp. 474-479). New York: Collier Macmillan.
Magrath, B. (2001). World mythology class resources—Morford & Lenardon. Retrieved January 13, 2004 from http://www.bsu.edu/classes/magrath/205s01/mlintro.html
Mahony, W. K. (1998). The artful universe: An introduction to the Vedic religious imagination. Albany: State University of New York Press.
Maltby, R. (1989). Dreams for sale: Popular culture in the 20th century. London: Harrap.
Maltin, L. (1973). The Disney films. New York: Crown.
Manchester (1909). Hale’s Tours Brochure. Retrieved October 13, 2005 from http://manchesterhistory.net/whitecity/hales.html
Mansfield, B. (1995). Synchronicity, science and soul-making. Chicago, IL: Open Court Press.
Marcus, G. (1997). Forty Years of Overstatement. In K. Marling (Ed.), Designing Disney’s theme parks: The architecture of reassurance. New York: Flammarion.
Marcuse, H. (1966). Eros and civilization. Boston, MA: Beacon Press.
Marin, L. (1984). Utopics: Spatial play (R. A. Vollrath, Trans.). Atlantic Highlands NJ: Humanities Press.
Marling, K. A. (1997). Imagineering the Disney theme parks. In K. Marling (Ed.), Designing Disney’s theme parks: The architecture of reassurance (pp. 29-178). New York: Flammarion.
Marshall, R. (Director). (2002). Chicago: The musical [Motion Picture]. United States: Miramax Films.
Marshall, R. (Director). (2003a). Chicago: Behind the scenes special [DVD]. United States: Miramax Films.
Marshall, R. (Director). (2003b). Chicago: Director commentary [DVD]. United States: Miramax Films.
Marshall, R. (2003c). Introduction. In P. Kobel (Text), Chicago: The movie and lyrics (pp. 11-13). New York: Newmarket Press.
Martin, S. (Text) & Gordon, B. (Design). (2005). Fiftieth anniversary: The sounds of Disneyland. Burbank, CA: Walt Disney.
Martin-Baro, I. (1994). Writings for a liberation psychology. Cambridge, MA: Harvard University Press.
Mason, R. G. (Ed.). (1983). Life in space. Alexandria, VA: Time Life Books.
May, R. (1975). The courage to create. New York: W. W. Norton.
McGhee, P. E. (1984). Play, incongruity and humor. In T. D Yawkey & A. D. Pellegrini (Eds.), Child’s play: Developmental and applied (pp. 219-236). New York: John Wiley & Sons.
McLean, M. (1995). At the whim of the goddess: The lila of the goddess in Bengal Saktism. In W. Sax (Ed.), The gods at play: Lila in south Asia (pp. 87-98). New York: Oxford University Press.
McLellan, J. (1970). The question of play. New York: Permagon Press.
McLeod, J. (2000). Qualitative research as bricolage. Retrieved November 11, 2003 http://shs.tay.ac.uk/shtjm/Qualitative%Research%as%
McLuhan, M. & Fiore, Q. (1967). The media is the massage. New York: Random House.
McLuhan, M. (1970). Culture is our business. New York: McGraw Hill.
McLuhan, M. (2003). Understanding media: The extensions of man (Critical Ed.). Corte Madera, CA: Gingko Press. (Original work published 1964)
McNeely, D.A. (1996). Mercury rising: Women, evil and the trickster gods. Woodstock, CT: Spring.
Mechling, E. W. & Mechling J. (1981). A sale of two cities: A semiotic comparison of Disneyland with Marriott’s Great America. In Journal of Popular Culture, 15(1), 166-179.
Melies, G. (2002). Voyage dan la lune (Trip to the moon). In The great train robbery and other primary works: a treasury of early cinema, 1894-1913 [videorecording]. New York: Kino on Video. (Original work released 1902)
Melody. (1995). Love is in the earth: A kaleidoscope of crystals—Update. Wheat Ridge, CO: Earth-Love.
Mendizza, M. & Chilton-Pearce, J. (2003). Magical parent, magical child: The art of joyful parenting. Berkeley, CA: North Atlantic Books.
Mercer, J & Arlen, H. (2005). Accentuate the Positive [Lyrics]. Retrieved from http://www.lyricsfreak.com/p/perry-como/106764.html
Mergen, B. (1995). Past play: relics, memory and history. In A. D. Pellegrini (Ed.), The future of play theory: A multidisciplinary inquiry into the contributions of Brian Sutton Smith (pp. 257-274). Albany: State University of New York Press.
Merritt, R. & Kaufman, J. B. (1993). Walt in Wonderland: The silent films of Walt Disney. Baltimore, MD: The Johns Hopkins University Press.
Michel, G. (1983). The architecture of Elephanta: An interpretation. In C. Berkson, Elephanta: The cave of Siva (pp. 17-26). Princeton, NJ: Princeton University Press.
Miles, B. (2005). Hippie. New York: Sterling.
Millar, S. (1974). The psychology of play. New York: Jason Aronson.
Miller, D. L. (1970). Gods and games: Toward a theology of play. New York: World.
Miller, D. L. (1981). The new polytheism: Rebirth of the gods and goddesses. Dallas, TX: Spring.
Miller, D. L. (1988). Through a looking glass: The world as enigma. In Eranos: Human and Cosmic Mirroring, 55, 349-402. Frankfurt: Insel-Verlag.
Miller, D. L. (1996). The bricoleur in the tennis court: pedagogy in postmodern context. 1996 Conference on values in higher education. Retrieved November 11, 2003 from http://web.utk.edu/~unistudy/ethics96/dlm1.html
Miller, D. L. (1998). Post-Jungian and archetypal theory MA-GII [Cassette]. July 14, 1998). Carpinteria, CA: Pacifica Graduate Institute
Miller, J. C. (2001). The transcendent function: The emergence of the third in depth psychology. Dissertations Abstracts International, 62(05), p. 2471B. (UMI No. 3015796). Dissertation completed 2000.
Miller, S. (1973). Ends, means and galumphing: Some leitmotifs of play. American Anthropologist, 75, 87-98.
Mills, S. F. (1990, October). Disney and the promotions of synthetic worlds. In American Studies International. XXVIII(2), 66-79.
Mindess, H. (1971). Laughter and liberation. Los Angeles: Nash Publications.
Mitchell, J. (1990). Circle Game. On Ladies of the canyon (track 12) [CD]. United States: Reprise. (Original release date 1970). Lyrics retrieved from http://www.lyricsfreak.com/j/joni-mitchell/75378.html
|
||||||||||||||||||||||
|
||||||||||||||||||||||