Fagen, R. (1976). Modeling how and why play works. In J. S. Bruner, A. Jolly & K. Sylva (Eds.), Play-its role in development and evolution (pp. 96-115). New York: Basic Books.

Fagen, R. (1981). Animal play behavior. New York: Oxford University Press.

Fagen, R. (1995). Animal play, games of angels, biology and brain. In A. D. Pellegrini (Ed.), The future of play theory: A multidisciplinary inquiry into the contributions of Brian Sutton Smith (pp. 23-44). Albany: State University of New York Press.

Faivre, A. (1995). The eternal Hermes: From Greek god to alchemical magus. Grand Rapids, MI: Phanes Press.

Farr, D. & Van Dyke, D. (2005). The giving chest. Menomonee Falls, WI: Inland Press.

Fiedler, L. (1969). The art of the essay (2nd Ed.). New York: Thomas Y. Crowell.

Finch, C. (1983). The art of Walt Disney: From Mickey Mouse to the magic kingdom. New York: Harry N. Abrams.

Findlay, J. (1993). Magic lands: Western cityscapes and American culture after 1940. Los Angeles: University of California Press.

Fjellman, S.M. (1992). Vinyl Leaves: Walt Disney World and America. San Francisco: Westview Press.

Fleming, V. (Director). (1939). The wizard of Oz [Motion Picture]. United States: Metro-Goldywn Meyer.

Flournoy, T. (1994). From India to the planet Mars: A case of multiple personality with imaginary languages. Princeton, NJ: Princeton University Press. (Original work published 1900)

Fonstad, N. (2001). The roles of technology in improvising. Retrieved November 13, 2003 from http://oz.stern.nyu.edu/seminar/sp02/

Forster, M. (Director). (2004). Finding Neverland [Motion Picture]. United States: Miramax Films.

Forster, M. (Director). (2005). Finding Neverland–Special Features [DVD]. United States: Miramax Films

Fosse, B. (Director). (1974). Lenny [Motion Picture]. United States: United Artists.

Fosse, B. (Director). (1975). Chicago: A musical vaudeville [Broadway Musical]. United States.

Fosse, B. & Ebb, F. (1976). Chicago: A musical vaudeville [Libretto]. New York: S. French.

Fox, M. (2002). Creativity: Where the divine and human meet. New York: Jeremy P. Tarcher/Putnam.

Fox, S. J. (1980). Theoretical implications for the study of interrelationships between ritual and play. In H. B. Schwartzman (Ed.), Play and culture: 1978 proceedings of the association for the anthropological study of play (pp. 51-57). West Point, NY: Leisure Press.

Francaviglia, R.V. (1981). Main Street USA: A comparison/contrast of streetscapes in Disneyland and Walt Disney World. In Journal of Popular Culture, 15(1), 141-156.

Freeman, J. (1964). Introduction. In C. G. Jung & M. L. von Franz (Eds.), Man and his symbols (pp. 9-15). London: Aldus Books.

Freire P. (2000). Pedagogy of the oppressed (M. B. Ramos, Trans.). New York: Continuum. (Original work published in 1970)

Freud, S. (1933). New introductory lectures on psychoanalysis (W. J. H. Sprott, Trans.). New York: W. W. Norton.

Freud, S. (1955). The uncanny. (Das Heimlich). In J. Strachey (Ed. & Trans.), The standard edition of the complete psychological works of Sigmund Freud (Vol. 17, pp. 219-252). London: Hogarth Press. (Original work published 1919)

Freud, S. (1960). The psychopathology of everyday life. In J. Strachey (Ed.) & A. Tyson (Trans.), The standard edition of the complete psychological works of Sigmund Freud (Vol. 6). London: Hogarth Press. (Original work published 1901)

Freud, S. (1962). Civilization and its discontents. In J. Strachey (Ed. & Trans.), The standard edition of the complete psychological works of Sigmund Freud (Vol. 21, pp. 59-145). London: Hogarth Press. (Original work published 1930)

Freud, S. (1962). The theme of the three caskets. In J. Strachey (Ed. & Trans.), The standard edition of the complete psychological works of Sigmund Freud (Vol. 12, pp. 291-301). London: Hogarth Press. (Original work published 1913)

Freud, S. (1962a). Humour. In Strachey (Ed. & Trans.), The standard edition of the complete psychological works of Sigmund Freud (Vol. 21, pp. 161-172). London: Hogarth Press. (Original work published 1927)

Freud, S. (1962b). The future of an illusion. In J. Strachey (Ed. & Trans.), The standard edition of the complete psychological works of Sigmund Freud (Vol. 21, pp. 3-56). London: Hogarth Press. (Original work published 1927)

Freud, S. (1963). Jokes and their relation to the unconscious. (J. Strachey, Trans.). New York: W. W. Norton. (Original work published in 1905).

Freud, S. (1975). Creative writers and daydreaming. In J. Strachey (Ed. & Trans.), The standard edition of the complete psychological works of Sigmund Freud (Vol. 9, pp. 141-153). London: Hogarth Press. (Original work published 1908)

Freud, S. (1975). Delusions and dreams in Jensen’s Gradiva. In J. Strachey (Ed. & Trans.), The standard edition of the complete psychological works of Sigmund Freud (Vol. 9, pp. 7-95). London: Hogarth Press. (Original work published 1907)

Freud, S. (1975). Leonardo DaVinci and a memory of his childhood. In J. Strachey (Ed. & Trans.), The standard edition of the complete psychological works of Sigmund Freud (Vol. 11, pp. 63-137). London: Hogarth Press. (Original work published 1910)

Freud, S. (1975). The Moses of Michelangelo. In J. Strachey (Ed. & Trans.), The standard edition of the complete psychological works of Sigmund Freud (Vol. 13, pp. 211-238). London: Hogarth Press. (Original work published 1914)

Freud, S. (1975). Totem and taboo. In J. Strachey (Ed. & Trans.), The standard edition of the complete psychological works of Sigmund Freud (Vol. 13, pp. 1-162). London: Hogarth Press. (Original work published 1913)

Freud, S. (1997). Dora: An analysis of a case of hysteria. New York: Touchstone. (Original work published 1905)

Freud, S. & Jung, C. G. (1974). The Freud/Jung letters: the correspondence between Sigmund Freud and C.G. Jung (W. McGuire, Ed.). Cambridge, MA: Harvard University Press.

Friedman, T. L. (2005). The world is flat: A brief history of the twenty-first century. New York: Farrar, Straus.

Friedrich, P. (1978). The meaning of Aphrodite. Chicago, IL: University of Chicago Press.

Frost, R. (1916). The road not taken. In Mountain interval. Retrieved December 1, 2005 from http://www.americanpoems.com/poets/robertfrost/theroadnot.shtml

Gabbard, G. (2001a). The impact of psychanalysis on the American cinema. In J. A. Winer & J. W. Anderson (Eds.), Sigmund Freud and his impact on the modern world (pp. 237-247). Hillsdale, NJ: The Analytic Press.

Gabbard, G. (2001b). Introduction. In G. Gabbard (Ed.), Psychoanalysis and film (pp. 1-16). New York: Karnac.

Gadamer, H. G. (1975). Truth and method (G. Bardon & J. Cumings, Trans.). New York: Seabury Press.

Gallagher, S. (1992). Hermeneutics and education. Albany: State University of New York Press.

Garber, M. (1998). Symptoms of culture. New York: Routledge.

Gardner, H. (1981). The quest for mind: Piaget, Levi-Strauss and the Structuralist movement (2nd Ed.). Chicago: University of Chicago Press.

Gardner, H. (1993). Creating minds: An anatomy of creativity as seen through the lives of Freud, Einstein, Picasso, Stravinsky, Eliot, Graham and Gandhi. New York: Basic Books.

Gardner, M. (1998). Introduction and notes. In L. Carroll The annotated Alice: Alice’s adventures in Wonderland and through the looking glass. New York: Wings Books. (Original work published 1960)

Gay, P. (1998). Freud: A life for our time. New York: W. W. Norton.

Gay, P. (Ed.). (1989). The Freud reader. New York: WW Norton.

Geertz, C. (1976). Deep play: A description of the Balinese cock fight. In J. S. Bruner, A. Jolly & K. Sylva (Eds.), Play-its role in development and evolution (pp. 656-674). New York: Basic Books.

Genette, G. (1982). Structuralism and literary criticism. In A. Sheridan, (Trans.), Figures of literary discourse. Retrieved September 13, 2003 from www.ucm.es/info/guias/genette/principal.htm. (Original work published 1964)

Geronimi C. & Jackson, W. (Directors). (1951). Alice in Wonderland [Motion Picture]. United States: Walt Disney Pictures.

Geronimi C. & Jackson, W. (Directors). (1953). Peter Pan [Motion Picture]. United States: Walt Disney Pictures.

Gibson, B. (Director). (1986). Poltegeist II: The other side [Motion Picture]. United States: Metro-Goldywn-Mayer.

Gibson, M. (Director). (2004). The passion of the Christ [Motion Picture]. United States: Newmarket Films.

Gilligan, S. (1997). The courage to love: Principles and practices of self-relations psychotherapy. New York: W.W. Norton.

Gilmore, J. B. (1971). Play: A Special Behavior. In R.E. Herron & B. Sutton-Smith (Eds.), Child’s play (pp. 311-325). New York: John Wiley & Sons.

Gimferrer, P. (1983). Max Ernst. New York: Rizzoli.

Giroux, H.A. (1992). Post-colonial ruptures/Democratic possibilities. In H. Giroux (Ed.), Border crossings: Cultural workers and the politics of education (pp. 19-38). New York: Routledge.

Gleick, J. (1988). Chaos: Making a new science. New York: Penguin Books.

Glenn, P. (2003). Laughter in interaction. New York: Cambridge University Press.

Goldstein, J. (2004). Neptune. Retrieved August 20, 2005 from http://www.astrologyworldonline.com/neptune.html

Goodchild, V. (2000). Eros and chaos: The sacred mysteries and dark shadows of love. Dissertations Abstracts International, 61(02), p. 1081B. (UMI No. 9962483). [dissertation completed 1998].

Goodchild, V. (2001). Eros and chaos: The sacred mysteries and dark shadows of love. York Beach, ME: Nicholas Hays.

Goodchild, V. (2003). Research V: Imaginal perspectives [Lectures, Winter Quarter]. Carpinteria, CA: Pacifica Graduate Institute.

Goswami, A. (1993). Self aware universe: How consciousness creates the material world. New York: Jeremy P. Tarcher/Putnam.

Goswami, A. (2001a, June). Ecological and cosmological studies [Lectures, Spring Quarter]. Carpinteria, CA: Pacifica Graduate Institute.

Goswami, A. (2001b). Physics of the soul: The quantum book of living, dying, reincarnation and identity. Charlottesville, VA: Hampton Roads.

Goswami, A, & Goswami M. (1999). Quantum creativity: Waking up to our creative potential. Cresskill, NJ: Hampton Press.

continued on page 5

Pages 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20
Home Welcome Intro and Method Cosmic Setup Cosmic Game
Interlude Kaleidoscope of Culture Odds & Ends Site Map
© 2005-2007 Karen Pohn
Karen Pohn is not associated in any official way with the Walt Disney Company, its subsidiaries, or its affiliates. The official Disney site is available at www.disney.com. This web site cosmicplay.net is my dissertation for my PhD in Depth Psychology at Pacifica Graduate Institute, www.pacifica.edu
click here to see legal and copyright information